The DP blogs' theme for today is "Yellow." You can see thumbnails of how bloggers from around the world have interpreted this by clicking here.
Today was the first day of Poetry Month, of which, no doubt, more later.
3 hours ago
Every moment of your life, you're writing. Even in your dreams you're writing. When you walk the halls in this school you meet various people and you write furiously in your head. There's the principal. You have to make a decision, a greeting decision. Will you nod? Will you smile? Will you say, Good morning, Mr. Baumel? or will you simply say, Hi? You see someone you dislike. Furious writing again in your head. Decision to be made. Turn your head away? Stare as you pass? Nod? Hiss a Hi? You see someone you like and you say, Hi, in a warm melting way, a Hi that conjures up splash of oars, singing violins, eyes shining in the moonlight. There are so many ways of saying Hi. Hiss it, trill it, bark it, sing it, bellow it, laugh it, cough it. A simple stroll in the hallway calls for paragraphs, sentences in your head, decisions galore. . . . You might be one of those cool characters who could saunter up to Helen of Troy and ask her what she's doing after the siege, that you know a nice lamb-and-ouzo place in the ruins of Ilium. The cool character, the charmer, doesn't have to prepare much of a script. The rest of us are writing. . . . Dreaming, wishing, planning: it's all writing, but the difference between you and the man on on the street is that you are looking at it, friends, getting it set in your head, realizing the significance of the insignificant, getting it on paper. You might be in the throes of love or grief but you are ruthless in observation. You are your material. You are writers and one thing is certain: no matter what happens on Saturday night, or any other night, you'll never be bored again. Never. Nothing human is alien to you. Hold your applause and pass up your homework.
asparagus harvesting has never been for the faint-hearted with pickers crawling into dense thorn bushes to pick the delicate shoots from the undergrowth.
Gunther the yoga teacher knew all about the Walkers: he, too, had heard stories...."I haff never met them," Gunther said. "But I hear so many things. I do not like this kind of Christian who liff in a big house with so many servants, and then tell the people how they must liff. Is that for you to be a Christian?" Gunther looked at me severely. I shook my head. Gunther himself lived in a big house with many servants and told many people how they must live, but it did not seem the right moment to mention that.
Tom Riley knew the Walker story well, having passed many long evenings in the company of one or another of the Walkers as they went from lonely Dyalo village to lonely Dyalo village, preaching - and in preaching, like war, you get to know folks.
...the fourth-grade teacher at Rachel's school, a quiet Burmese woman...broke her wrist in a tuk-tuk accident. Mr. Tim...asked me to take over her class while she convalesced, and for a week I taught school, an experience so exhausting that I didn't think once of anthropologists or missionaries, just savages.
...she induced in Martiya [the anthropologist] a considerable sense of First World guilt and discomfort. (This discomfort was intensified by Lai-Ma's habit of taking Martiya aside and saying, "Oh, I am tired! How my bones ache! How I wish I were rich like you and could do nothing all day!") Hauling just one plastic petrol-jerry of water up the hill was enough to exhaust Matiya, but Lai-Ma would inevitably carry two, one in each hand, and on her back in a plaited basket, a dozen hollow bamboo tubes each overflowing with water, the whole heavy load held in place with a tumpline across her forehead....Matiya felt like a freeloader every time she saw her in the course of the day.