Sunday, April 30, 2017

April 30th: Blessing that Does Not End

What with National Poetry Month and Lent and some rough emotional experiences in the past few months, I've had lots of opportunities lately for reflection and growth.  Growth is often not much fun, but we have to grow or die, and so I'm grateful.  Loss and goodbyes and endings are hard, and I'm one of those people who has to experience every emotion to the fullest - not because I want to, but because that just seems to be the way I'm built.  The upside is that I feel happiness very deeply and intensely, just as I do pain.

This poem by Jan Richardson is a beautiful and comforting way to end National Poetry Month and celebrate this Sunday.  It's in her book, The Cure for Sorrow, which I bought with my birthday gift certificate, and she also posted it on her blog this week.



It begins like this:


Blessing That Does Not End
From the moment
it first laid eyes
on you,
this blessing loved you.

This blessing
knew you
from the start.

It cannot explain how.

It just knows
that the first time
it sat down beside you,
it entered into a conversation
that had already been going on
forever.

Believe this conversation
has not stopped.

Here's the rest, along with more of Jan's reflections.   I think she wrote this poem for me, but I'm happy to let you share it, Reader.

Today, Laura is finishing up the Progressive Poem with her line.



Saturday, April 29, 2017

April 29th: Elm Trees in Detroit

I've been reading poems about nature with my eighth graders, and since we live in the city, I'm always on the lookout for great nature poems set in urban environments.  I love this one, by Marge Piercy, and it works well with some reading we did when they were in seventh grade about a guy who worked with elm trees.

 Source: detroityes.com

It starts like this:

The streets of Detroit were lined with elms
I remember elm trees that were
the thing of beauty on grimy
smoke-bleared streets stinking of death
and garbage, but over the cramped
rotting houses, the elms arched.

They were cities of leaves.
I would lie under them
and my eyes would rise
buoyed up and surfeited
in immense rustling viridescence. 


Here's the rest of the poem.

My son, who is also one of my students right now, enjoys that word "viridescence," and many days he uses it as we walk to school and pass the things of beauty on the "grimy smoke-bleared streets" that are the trees of our neighborhood (not elms, but lovely tropical plants).  I love the "cities of leaves"; I love looking up at them and away from trash and rats and mud and whatever else is at my feet on any given day.  

Here's a sad article about what happened to Detroit's elms.

Charles has today's line in the Progressive Poem.



Friday, April 28, 2017

Poetry Friday: All About ME

Because my husband knows that my love language is language, he wrote this poem for me.  It made me very happy, and I'm sharing it with his permission.

Lonely Russian women want me badly.
So badly that they send emails (to me
And others) in sensual perfect English
Pleading, begging, repeatedly asking
If they can satisfy my every whim
And fantasy. I haven’t answered yet
And I’m feeling sorry for the lonely,
Frustrated women who desperately write
Such longing letters offering themselves
To me. And so I’m tempted to reach out
And share my long-held deep desires, my view
Of flourishing, bliss, joy, and happiness:

A mug of steaming coffee, piping hot
Sipped in a room that’s over-filled with books.
And by my side, a lovely girl named Ruth,
My fantasy, and that’s the honest truth.

by Steve, husband of Ruth, from thereisnosuchthingasagodforsakentown.blogspot.com


The Progressive Poem is nearing its end, and Michelle has today's line.

Today's roundup is here.

Hasn't it been a great National Poetry Month?  I know I've enjoyed it. Here's to poetry, all year long! 

Thursday, April 27, 2017

April 27th: To a Frustrated Poet

Four years ago yesterday, I shared "To a Frustrated Poet," by R. J. Ellmann.

... it's no fun having a frustrated poet
In the Dept. of Human Resources, believe me.

Matt has today's line for the Progressive Poem.

Wednesday, April 26, 2017

April 26th: Before the Rain

In this post from February 2011, I shared the poem "Before the Rain," by Lianne Spidel.  I commented on how it caught a good note talking about rain, and the hardships it sometimes brings.  This is appropriate right now in Haiti, where once again there is flooding in the south.

Renée has the line for the Progressive Poem today.


Tuesday, April 25, 2017

April 25th: Tiel Aisha Ansari

In January 2009, I linked to this poem by Tiel Aisha Ansari. Through the years I have shared several of her poems, including this one in 2007 about the California wildfires, this one called "Living with Angels," and this one, about a Tetris nightmare.  Here's a more recent entry, a stunning political poem called "You Bring Out the Lynch Mob in Me."

Check out Tiel Aisha Ansari's blog  - there's always something great to read.

Robyn has today's line for the Progressive Poem.

Monday, April 24, 2017

April 24th: Dickinson on Grief

In September 2010, I posted an Emily Dickinson poem about grief.  It begins like this:

I measure every Grief I meet
With narrow, probing, eyes –
I wonder if It weighs like Mine –
Or has an Easier size.

I wonder if They bore it long –
Or did it just begin –
I could not tell the Date of Mine –
It feels so old a pain –

I wonder if it hurts to live –
And if They have to try –
And whether – could They choose between –
It would not be – to die –

You can read the rest of the poem at the original post here.

Every grief is unique, but we can learn so much by listening to others talk about theirs, and eventually everyone gets a collection of them.  I hope you have people to talk to about yours today.

And on a lighter note, Amy has today's line for the Progressive Poem.

 

Sunday, April 23, 2017

The Progressive Poem is Here, Plus Happy Blog Birthday to Me!

I signed up for April 23rd to add my line to the Progressive Poem because it is the birthday of my blog.  Today my blog is eleven, and like any eleven-year-old, I am very excited and would like lots of birthday wishes.  Plus cake, if you have it.

But in the meantime, I have to add a line.

So, I've been reading and rereading the poem much of the day, in between grading and lesson plans, and I think that the boat that was added at the beginning of this stanza is not a real boat, but actually scenery on a stage (think something like the photo below, which I got from tripadvisor.com).


I say that because our persona/protagonist was on a stage, having climbed the stairs and turned to face the crowd, and was saying lines s/he had learned by heart, when suddenly the boat was mentioned.  I think this person/dragon/person in a dragon costume is acting in a play.  Perhaps s/he wanted to be a knight, but that part was taken by someone else, hence removing the spurs and armor.  Maybe s/he has been told that a dragon can't be an actor.  And it seems there's someone in the crowd who is a surprise, or someone s/he is afraid of.  Or it could just be the crowd, because it can be pretty surprising when you're on stage to see all those seats full, all those eyes staring up at you...

What on earth?

You see, the thing with the Progressive Poem is that no one person is in charge.  When I write one of my own poems, I can make it take whatever direction I choose, but with the Progressive Poem, I only have one thirtieth of the power, and I can puzzle out all I want, but I'm never going to have more than one thirtieth.  (In my post from yesterday, you can see the full list of all the participants.)  I can add my line, but then I have to stand back for everyone else, and all my puzzling may not be how the people who come after me see our little scenario.  Every year this exercise reminds me of how much I like to be in control, but, as in life, I'm not.  All I know is that we need a strong verb here; our protagonist needs to do something, standing there on the deck of the ship...

Here we go.  My line is at the end, in bold.


I’m fidget, friction, ragged edges–
I sprout stories that frazzle-dazzle,
stories of castles, of fires that crackle
with dragonwords that smoke and sizzle.

But edges sometimes need sandpaper,
like swords need stone and clouds need vapour.
So I shimmy out of my spurs and armour
facing the day as my fickle, freckled self.

I thread the crowd, wear freedom in my smile,
and warm to the coals of conversation.
Enticed to the stage by strands of story,
I skip up the stairs in anticipation.

Flip around, face the crowd, and freeze!
Shiver me. Look who’s here. Must I disappear?
By hook or by crook, I deserve a second look!
I cheer. Please, have no fear. Find the book. 

But wait! I’ll share the lines I know by heart.
Mythicalhowls, fierytones slip from my lip
Blue scales flash, claws rip, the prophecy begins
Dragonworld weaves webs that grip. I take a trip…

“Anchors aweigh!” Steadfast at helm on clipper ship,
a topsail schooner, with sails unfurled, speeds away
As, true-hearted dragon pirate, I sashay 


Your turn now, Amy!

Saturday, April 22, 2017

The Progressive Poem so far...

Tomorrow is my day to contribute a line to the Progressive Poem, so I'm reading it in-depth this afternoon and considering the possibilities.  Here it is so far:



I’m fidget, friction, ragged edges–
I sprout stories that frazzle-dazzle,
stories of castles, of fires that crackle
with dragonwords that smoke and sizzle.

But edges sometimes need sandpaper,
like swords need stone and clouds need vapour.
So I shimmy out of my spurs and armour
facing the day as my fickle, freckled self.

I thread the crowd, wear freedom in my smile,
and warm to the coals of conversation.
Enticed to the stage by strands of story,
I skip up the stairs in anticipation.

Flip around, face the crowd, and freeze!
Shiver me. Look who’s here. Must I disappear?
By hook or by crook, I deserve a second look!
I cheer. Please, have no fear. Find the book. 

But wait! I’ll share the lines I know by heart.
Mythicalhowls, fierytones slip from my lip
Blue scales flash, claws rip, the prophecy begins
Dragonworld weaves webs that grip. I take a trip…

“Anchors aweigh!” Steadfast at helm on clipper ship,
a topsail schooner, with sails unfurled, speeds away

April
1 Heidi at my juicy little universe
2 Tabatha at The Opposite of Indifference
3 Doraine at Dori Reads
4 Michelle at Today's Little Ditty
5 Diane at Random Noodling
6 Kat at Kat's Whiskers
7 Irene at Live Your Poem
8 Mary Lee at A Year of Reading
9 Linda at TeacherDance
10 Penny at a penny and her jots
11 Ramona at Pleasures from the Page
12 Janet F. at Live Your Poem
13 Margaret at Reflections on the Teche
14 Jan at Bookseedstudio
15 Brenda at Friendly Fairy Tales
16 Joy at Poetry for Kids Joy
17 Tricia at The Miss Rumphius Effect
18 Buffy at Buffy's Blog
19 Pat at Writer on a Horse
20 BJ at Blue Window
21 Donna at Mainely Write
22 Jone at Jone Ruch MacCulloch
23 Ruth at There is no such thing as a godforsaken town
24 Amy at The Poem Farm
25 Robyn at Life on the Deckle Edge
26 Renee at No Water River
27 Matt at Radio, Rhythm and Rhyme
28 Michelle at Michelle Kogan
29 Charles at Poetry Time
30 Laura Purdie Salas at Writing the World for Kids

April 22nd: Mary Oliver

In July 2012 I posted this Mary Oliver poem.

Jone has today's line for the Progressive Poem.


Friday, April 21, 2017

Poetry Friday: Syllabus

Last week I wrote this National Poetry Month haiku:

Inbox of poems:
April’s blooming gift of words
Transforms a Tuesday

I do love all the poetry that is around this time of year, but I am starting to get a little overstimulated by it all, and to wish that it would be a little more spread out over the months.  Nancie Atwell says somewhere that reading poems is like eating chocolates, and it's possible to overdo.  There are so many great projects going on right now, and I have an inbox full of poems, and I already consume quite a bit of poetry at normal times.  Poetry friends, I wish I had the time and energy to read all the amazing things you're doing.

On Sunday it will be my day to add to the Progressive Poem, so of course I have been following that closely.  Today's line is here.

I've also been doing daily posts, mostly linking to great poems from my archives, but occasionally sharing a new find.  

Here's a poem I received in my inbox before National Poetry Month even started.  I loved the creepiness of this poem, and I was intrigued by the syllabus format:


Syllabus  for   the   Dark    Ahead

by Jehanne Dubrow
 

Throughout this course,
we’ll study the American
landscape of our yard, coiled line

 

of the garden hose,
muddy furrows in the grass
awaiting our analysis,

 
what’s called close reading
of the ground.


 (You can read the rest at the link above.)


I decided to imitate this (not the creepiness, but the format), and below is a first draft of my poem.



Syllabus for Eighth Grade

Throughout this course,
we’ll explore the art of being thirteen
going on fourteen.

We’ll practice sitting on a chair
without falling on the floor,
posting in the class group chat
without hurting anyone’s feelings,
having a crush on a ninth grader
without losing your dignity.

In our year together,
we’ll entertain a range of emotions,
with frustration being a frequent visitor.

We’ll experience rejection,
heartbreak,
elation,
humiliation:
some days, all before lunch.

There are tissues on the teacher’s desk.

Bathroom humor will be tolerated
on a limited basis.

The teacher will try not to roll her eyes at you
if you try not to roll yours at her.

We’ll read what many others have written
about being alive,
and we’ll write what we think and feel,
or at least some of it.
Some of it we’ll bury on the playground
when nobody’s looking.

Evaluations will be gentle,
since nobody has ever mastered the art of being thirteen
going on fourteen.
Or any other age, really.
We’re all just figuring it out as we go along.

Ready?  Let’s begin.

Ruth, thereisnosuchthingasagodforsakentown.blogspot.com


Today's roundup is here today, at Tabatha's blog, The Opposite of Indifference.

Thursday, April 20, 2017

April 20th: Laundry

Today's offering is another one that isn't in my archives; my daughter sent it to me yesterday.  It's a poem about laundry.



Love Calls Us to the Things of This World
by Richard Wilbur

The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul  
Hangs for a moment bodiless and simple  
As false dawn.
                     Outside the open window  
The morning air is all awash with angels.

    Some are in bed-sheets, some are in blouses,  
Some are in smocks: but truly there they are.  
Now they are rising together in calm swells  
Of halcyon feeling, filling whatever they wear  
With the deep joy of their impersonal breathing;

    Now they are flying in place, conveying
The terrible speed of their omnipresence, moving  
And staying like white water; and now of a sudden  
They swoon down into so rapt a quiet
That nobody seems to be there.

Here's the rest.

The illustration is from the Heartline Maternity Center in Port-au-Prince.  There aren't pulleys on this line, but this clothesline is what I thought of when I read this poem, and particularly the title:  "Love Calls Us to the Things of This World."  There's a lot of laundry to be done in a place filled with births and newborns, and it's faithfully done, day after day, in this place where sunshine and love are the two inexhaustible resources.

Here's today's line in the Progressive Poem.


Tuesday, April 18, 2017

April 18th: Prufrock

Back in April 2009, the official poster for National Poetry Month had a quote from "The Love Song of J. Alfred Prufrock."  (There's a photo of the poster in the link below.)  I posted that poem, commenting that I loved it because of a certain lecture in American Lit in college.  I wish I could bring a poem - or anything - to life for my students the way that professor did for me.  (And that was also the class in which I met my husband, so it was pretty life-changing, all the way around.)


Here's the post.

And here's today's Progressive Poem line.




Monday, April 17, 2017

Sunday, April 16, 2017

Saturday, April 15, 2017

Reading Update

Book 22 of 2017 was Half of a Yellow Sun, by Chimamanda Ngozi Adichie.  This is a terrific, vivid, heartbreaking book about the Biafran War, which took place during my childhood but which I knew nothing at all about.  Highly recommended.

Book 23 was The Cure for Sorrow: A Book of Blessings for Times of Grief, by Jan Richardson.  A beautiful book, and one I'll be returning to many times, I'm sure.

Book 24 was Susan David's Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life.  This was a very useful read, and David says a lot of the things my counselor said.

Book 25 was Years Later, by Gregory Djanikian.  These poems, though sadder and darker than others of Djanikian I'd read, were great on first reading, and I'm sure they'll grow on me even more as I reread.

Book 26 was Omeros, by Derek Walcott.  As soon as I started reading Walcott's work, he died, so there were lots of articles about him showing up in my newsfeed.  He was the grand old man of Caribbean poetry.  This was a retelling of the Odyssey - sort of.  Actually, there's a whole lot going on in this work, and sometimes it was difficult to switch gears with Walcott and follow, wait, who's talking now?  Where?  When?  In spite of that, individual sections were incredibly vivid and beautiful, and I was highlighting like crazy in my Kindle edition as I read.  I was very much aware that once is not enough to get everything, but I loved it.  Impressions include the yellow of butterflies and the dress of the maid Helen, the green and blue of Saint Lucia, Maud's embroidery of birds.

"I miss the light northern rain, I miss the seasons,"
Maud moaned, implying the climate lacked subtlety.
Some breeze reported the insult, since the monsoon's

anger coarsened the rain, until between the sty
and water-roped porch grew an impenetrable
jungle that drummed with increasing monotony,

its fraying lianas whipping from each gable,
the galvanized guttering belching with its roar,
Then, soaked like paper, the hills were a Chinese scroll

and she saw a subtlety where none was before.
Bamboo strokes.  Wet cloud.  Peasant with straw hat and pole.
Fern spray.  White mist.  Heron crossing fresh waterfall.


Here's another section I loved:

 ...I ladled the fragrant steam

of my stew in thick portions, the dark full of fireflies
that never catch the leaves.  It's as clear as a dream,
but more real.  Well, folks lived for centuries

like this with candles and airs on the piano,
the love-songs fading over a firefly sea,
their mouths round as the moon over a black canoe
like the one I smiled at today: In God We Troust.
But then we all trust in Him, and that's why we know
the peace of a wandering heart when it is housed.


That boat, In God We Troust, belongs to an islander named Achille, by the way.

(I wrote a bit about books number 23, 25, and 26 in this post.)

Book 27 was Vinegar Girl, by Anne Tyler.  I went through a big Anne Tyler phase at some point in the past (in my twenties or thirties - I'm not sure, because it was before I started blogging, back in the days when I kept no record of my reading), but it had been a long time since I had read one of her books.  This one, a retelling of The Taming of the Shrew, was fun and clever, a quick read.

This post is linked to the April Quick-Lit post at Modern Mrs. Darcy.

April 15th: Jailbreak

I know my plan was to share from my archives this month, but this one just seems so appropriate for Holy Saturday and springtime that I have to share it.


Jailbreak
by Maya Spector

It’s time to break out —
Jailbreak time.
Time to punch our way out of
the dark winter prison.
Lilacs are doing it
in sudden explosions of soft purple,
And the jasmine vines, and ranunculus, too.
There is no jailer powerful enough
to hold Spring contained.
Let that be a lesson.
Stop holding back the blossoming!

Here's the rest of the poem.

And Brenda has today's Progressive Poem line here.

Friday, April 14, 2017

Poetry Friday, Good Friday

I was looking back through the poems I've chosen for past Good Fridays, and I discovered that in 2008 I posted some George Herbert, in 2009 the hymn "Abide with Me," and in 2010 some Shakespeare (seasonally appropriate but not so much for Good Friday). In 2012 I paired Housman and HopkinsIn 2014 I shared Andrew Peterson's song "The Silence of God."  In 2015 I chose Luci Shaw and last year, E.A. Markham.

While I was doing that retrospective of Good Fridays past, I accidentally deleted my 2013 post, where I had posted a video of "O Sacred Head."  The video had been removed from YouTube, so I was trying to replace it, when, oops, gone.  (So much for things lasting forever on the internet.)  So here's another video of that hymn, one of my favorites.


 


The words are attributed to Bernard of Clairvaux.



This year, I'm sharing an Emily Dickinson poem.


To know just how He suffered — would be dear —
To know if any Human eyes were near
To whom He could entrust His wavering gaze —
Until it settle broad — on Paradise —

To know if He was patient — part content —
Was Dying as He thought — or different —
Was it a pleasant Day to die —
And did the Sunshine face his way —

What was His furthest mind — Of Home — or God —
Or what the Distant say —
At news that He ceased Human Nature
Such a Day —

And Wishes — Had He Any —
Just His Sigh — Accented —
Had been legible — to Me —
And was He Confident until
Ill fluttered out — in Everlasting Well —

And if He spoke — What name was Best —
What last
What One broke off with
At the Drowsiest —

Was He afraid — or tranquil —
Might He know
How Conscious Consciousness — could grow —
Till Love that was — and Love too best to be —
Meet — and the Junction be Eternity


Jan has today's line for the Progressive Poem.

Dori has today's roundup.

Thursday, April 13, 2017

April 13th: Lullabye

I'd forgotten all about a poem I shared in September 2012 in this post, "The Sciences Sing a Lullabye," by Albert Goldbarth.

Today's line for the Progressive Poem is here, with Margaret.